Equipment
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Bass DrumIn jazz playing, the bass drum should have a bit of sustain that allows it to blend with the acoustic or electric bass sound.
A common problem in young jazz drummers is playing the bass drum too loudly. Develop a light touch and control in all dynamic ranges and “feather” the bass drum so the bass drum is "felt, not heard." A 20 inch drum ideal for jazz ensemble, and an 18 inch drum is works well for combo use. |
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Ride CymbalThe ride cymbal is a big part of the sound of a jazz band; the tone of the ride cymbal is as important as the lead trumpeter's sound. Since it penetrates the ensemble, the tone of the ride cymbal must be a quality sound with good overtones and wash.
A very thin symbol produces too much wash and the stick gets lost. A very heavy symbol tends to be too dry and does not fulfill its function of carrying the band. A 20" or 22" medium or medium light ride cymbal is a good place to start. |
Hi-HatYour hi-hat cymbals should have a nice "chick" sound, should blend well with the band, and be easy to hear at any volume.
Thinner cymbals are generally better for recording, while medium to thick cymbals are best for live performances. 14" hi-hats work well as all-around cymbals for a variety of jazz styles. |
Crash CymbalA crash cymbal is slightly different from the ride cymbal. While some can be used for a ride pattern, crash cymbals are typically used to accentuate figures in the band and signal a new phrase.
Many drummers prefer a higher, sharper attack that won't get lost in the sound of the band. A crash cymbal can range from 18"-20". |